Katherine Crawford Luber examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter Luber explains how DUrer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective She обьля argues that this exploration unifies DUrer's work and necessitates a reassessment of the critical division between his painted and graphic work Автор Katherine Crawford Luber.  Переводчик:Издательство: Cambridge University Press, 2005 г Твердый переплет, 288 стр ISBN 0521562880.